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Modern spaceship like structure blocking the sun- film's namesake. The Kenya apartment- everything so meticulously picked out- Delon's apartment, too later on—cold—superficial. The stock exchange set piece—Antonioni is saying how this is all so ridiculous—the awful moment of silence. Antonioni hates these people.
Enter the Void Michelangelo Antonioni’s "L’eclisse" on Notebook MUBI
L' Eclisse. 1962.1080p. Criterion. Bluray. 10bit.x 265. HEVC LION[ UTR] Video Item Preview
Monica Vitti ne L'Eclisse di Antonioni 474002 Movieplayer.it
But in L'eclisse, Antonioni started regarding Eros more positively, without the same overlay of guilt, and capitalism a little less monolithically as a vehicle for compromise or corruption. These changes become the first intimations of what appears to be a new attitude.
L'Eclisse, 1962 Great Films, Good Movies, Akira, Michelangelo Antonioni
In the history of cinema, there have been several notable collaborations between a director and an actress over a series of films. Think of D. W. Griffith and Lillian Gish back in the silent era, Josef von Sternberg and Marlene Dietrich in the early 1930s, Jean-Luc Godard and Anna Karina at the time of the French New Wave. Without going into theories of the "male gaze," it may be said that.
L’Eclisse Michelangelo antonioni, Movie posters, Film posters
M ichelangelo Antonioni's mysterious and disquieting 1962 film L'Eclisse (The Eclipse) is rereleased in UK cinemas for the first time in 10 years: a twilight zone of anxiety and alienation in.
L'eclisse directed by Antonioni 1962 Choir music, Assassination of
Abstract: In Michelangelo Antonio's L'Eclisse (1962), Cold War Rome is conceived of as a sequence of controlling frames from which the camera seeks liberation. In the opening sequence a reversed picture frame vies with an electric fan in a modernist flat to convey the grueling endgame of a long-term love affair in terms of the conflict between traditional and contemporary art media.
Michelangelo Antonioni, L'Eclisse, 1962
STUDIOCANAL and the Independent Cinema Office (ICO) are delighted to announce that a new digital restoration of Italian auteur Michelangelo Antonioni's langu.
L'eclisse 1962 Michelangelo Antonioni
Michelangelo Antonioni's L'eclisse (The Eclipse, 1962) opens rather enigmatically with the fatigued denouement of the relationship between the film's central protagonist, Vittoria (Monica Vitti), and her former beau, Riccardo (Francisco Rabal).With little dialogue exchanged between the characters, the breakdown of their love affair is unconventionally played out through unreciprocated.
M. AntonioniL’Eclisse (1962) Italian Neorealism, Michelangelo
L'ECLISSE - Official Trailer - 50th Anniversary Restoration. Watch on. The first scene is a break-up; it's dawn on a Monday in June of 1961 (the time and year is expressly noted by a title card) and Vittoria (Monica Vitti) is breaking up with Riccardo (Francisco Rabal) in his apartment. There are no raised voices or arguments; the relationship.
L’Eclisse (1962) Little White Lies
After an initial meeting and with apparently growing affection, Vittoria (Monica Vitti) and Piero (Alain Delon) agree to meet again that evening on the same.
El Eclipse (L'eclisse), de Michelangelo Antonioni, 1962 Alain delon
English. Box office. ₤ 305 million (in Italy) L'Eclisse (English: "The Eclipse") is a 1962 Italian romance film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti. Filmed on location in Rome and Verona, the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon).
Michelangelo Antonioni's 'L'Eclisse' Returns In Trailer for Digital
Une jeune femme (Monica Vitti) se sépare de son compagnon et a une relation avec un courtier en Bourse (Alain Delon), incarnation du monde matérialiste conte.
"L'Eclisse", Michelangelo Antonioni (1962) Silenzio YouTube
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L'Eclisse 1962 Antonioni The Cinema Archives
Directed by Michelangelo Antonioni • 1962 • France, Italy Starring Monica Vitti, Francisco Rabal, Alain Delon The concluding chapter of Michelangelo Antonioni's informal trilogy on contemporary malaise (following L'AVVENTURA and LA NOTTE), L'ECLISSE tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another.
Modern love is rubbish Antonioni’s L’eclisse BFI
The concluding chapter of Michelangelo Antonioni's informal trilogy on contemporary malaise (following L'avventura and La notte), L'eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon). Using the architecture of Rome as a backdrop for the doomed affair, Antonioni achieves the apotheosis of.
L'eclisse. 1962. Directed by Michelangelo Antonioni MoMA
Michaelangelo Antonioni's 1962 masterwork concerns this human paradox, but also offers a commentary on what those "forces" may consist of. L'Eclisse says that the world is merely a distraction from the serious business of love, that walls, doors, jobs, clothes, streets, parks, trees, cars and pretty much all physical matter.
