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2:1 - For every 2dB of audio over the threshold, 1dB will come out. So a kick drum hit goes 10dB over the threshold, and you used a ratio of 2:1, the compressor would still let 5dB out that hasn't been compressed. Therefore this gives you a 5dB (50%) gain reduction, which is very soft.
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MIX HACK: Signature Series plugins. Applying EQ, compression, dynamics processing and effects for drum mics can be a lot of work. Thankfully, seasoned mixers Chris Lord-Alge (Green Day, Muse), Eddie Kramer (Jimi Hendrix, Led Zeppelin), Jack Joseph Puig (John Mayer, Lady Gaga), and Tony Maserati (Beyoncé, Jay Z) have helped put together plugins featuring easy access to their tried-and-true.
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Drums Watch your attack time. A fast attack can destroy the punch and impact of drums. In most cases, a slow attack is what you want. A fast release will bring up room ambience. This can make the drums sound bigger. Heavy compression can bring up cymbal noise on every track.
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Compressors drop the volume of your audio when it gets louder than a predetermined threshold, which helps you tame loud peaks. This is especially important with drums, which can have extremely sharp peaks on hits. Proper use of compression will let you clamp down on the tracks without crushing them, and also let you shape the snap, crack, and.
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Parallel drum compression, a technique in audio production, adds impact and control to drum tracks. Basically, it's blending heavily compressed and uncompressed signals for a dynamic, punchy sound. Benefits include increased punch, retained dynamics, enhanced sustain, and control. Now, let's explore the setup and application of this technique.
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Download our Drums EQ and Compression Cheat Sheet PDF for some simple drum mixing starting points. Kicks, snares, hi-hats, toms and cymbals all have their own sound and perform different functions within a drum group, which means that you'll often need to commit to a range of mix decisions in order to get your rhythmic layers sounding just right.
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Drum compression is one of the key ways to emphasize pieces of the kit and also glue everything together, turning the separate parts into a cohesive, huge instrument. Compressing the Kick and Snare One of the questions you're probably asking yourself is "How much drum compression is enough?"
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Approach #1 - Set The Release As Fast As Possible This approach will add volume and density to your drums by bringing up low-level details, like the decay of the drum hits and the room ambience. Fast release times can make drums sound bigger and more aggressive. I typically find myself using them on drums in harder genres, like rock or EDM.
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Kick Drum Compression Settings (Including Cheat Sheet) One of the biggest things beginner engineers struggle with is finding the best kick drum compression settings for their mixes. They don't know when or where to use a compressor to make the kick stand out in a mix.
Kick Drum Compression Settings (Including Cheat Sheet)
Glue drums together Attack: Medium to Fast Release: Fast Mix: 80% to 90% Wet Gain Reduction: -2dB to -4dB Bring out transients Attack: Fast Release: Fast Mix: 50% to 60% Wet Gain Reduction: -6dB to -9dB Increase look-behind time until you hear enough transient Apply aggressive compression Attack: Fast Release: Fast
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This is our ultimate guide to compression for drum recordings. It not only explains the basics of how to use a compressor, but also how to take your drum recordings to the next level by adding more punch and utilising other techniques.
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CLICK TO DOWNLOAD In this free compression cheat sheet, discover the perfect settings to use while applying compression on drums, bass, guitar, vocals, and more.
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Compression Tricks For Drums Joe Albano on Feb 15, 2021 in Mixing & Mastering Learn the ways to get the most of compressing recordded drums and beats in this in-depth tutorial by master trainer and producer, Joe Albano.
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When compressing a well-played and well-recorded drum sound you might only need 1 or 2dB of gain reduction and a low ratio. The attack and release times of the compressor will be very forgiving when you're working with such small gain reduction amounts. Attack!
Parallel compression on drums or vocals (lighter genres) is more subtle Plugin order doesn't matter much - don't obsess Pick a compressor plugin a stick with it, learn it Keep an eye on the gain reduction meter Adjust the output gain to volume match the plugin (same volume going out) Attack Time
